Sketchbook Archives: 26

Here are some heads from May 2013. Three are from my sketchbooks, one is charcoal over a discarded cyanotype print, one chalk over an ink splash, and one full colour monotype. I think I like drawing people’s faces more than any other thing.

A Pakistan Journey In Print:1

Way back in 2007 I was lucky to travel to Pakistan for a two-week visit with friends from Wales, Denmark and Pakistan. It was a fantastic journey, the country is so geographically and culturally varied, the people kind and friendly. I sketched as I normally do and when I came back to Wales I workedContinue reading “A Pakistan Journey In Print:1”

One From The Archives ….

One of my favourite places is Paviland, a strange otherworldly cove on the coast of the Gower Peninsula which is the site of the Goat’s Hole Cave, famous for the skeleton of the  “Red Lady of Paviland“, which is actually a young man. From the main road, it’s a fair walk across fields via aContinue reading “One From The Archives ….”

Re-Visiting Monotype.

I spent a happy morning down at Swansea Print Workshop today, re-visiting a technique I used to do loads – it’s called the 3-Colour Reduction Monotype (or 3-Colour Stacking Monotype). I haven’t done this since before Covid19, over 4 years, maybe longer. Why does time shoot by so fast? I based this monotype on aContinue reading “Re-Visiting Monotype.”

A Month Of Maris #13

Another of my  Mari Lwyd artworks from the archives that I’m posting up to her night, Hen Galan on January 13th. It’s a reduction monotype that I did back in 2016 from an original drawing in my sketchbook. This one is really menacing.

#Caturday with bubble wrap.

Just a bit of fun for #Caturday. I was doing some monotype prints the other day, using Gelli plates and bubble wrap and I picked up this rag from the rag bin, a piece of cotton covered with little cartoon cats. After I finished printing each colour – Process Magenta and Process Cyan – IContinue reading “#Caturday with bubble wrap.”

You Ain’t Seen Ruthin Yet!

I have some of my printmaking in a group exhibition opening tomorrow at The Print Studio in Ruthin. My monotype about the bedroom tax, based on an original sketchbook drawing at a demonstration, is part of the main show and I have a selection of lino prints in the browser. So, if you fancy aContinue reading “You Ain’t Seen Ruthin Yet!”

And A Little Bit Pear Shaped: 4

Towards the end of the day I spent up The Workers Gallery in Ynyshir last week, I had a fourth, final, attempt at doing a monotype with a silkscreen and Daler Rowney acrylic screenprint medium. My experiments with Inktense blocks were a miserable failure (here) so I switched to watercolour pencils. First, I printed aContinue reading “And A Little Bit Pear Shaped: 4”

Still Pear Shaped: 3

After disappointing results with the Inktense blocks*, I decided to switch to watercolour pencils. I’d done this monotype technique before and the results weren’t bad, so I thought I’d give it another go. I drew onto the screen mesh from an old portrait sketch, and then squeegeed Daler Rowney Screenprint Medium through it. The resultContinue reading “Still Pear Shaped: 3”

Then It Carried On Being Pear Shaped: 2

Following on from yesterday’s tale of defeat*, I had a think about what might have gone wrong and wondered if the Inktense marks on the silkscreen just didn’t get wet enough to release their vibrant pigments onto the paper. So I made the mesh nice and wet and drew onto it with the Inktense blocks.Continue reading “Then It Carried On Being Pear Shaped: 2”