I’ve been cutting some small experimental lino blocks to try out different ideas for a new piece of artwork based on the Welsh Miner’s Wives in the Miner’s Strikes in the 1980s. I cut one based on a newspaper photograph and one featuring text from a song sung by women on the picket lines. IContinue reading “An Archaic Artform.”
Tag Archives: printmaking
Inspired By P.P.P.
Back to Swansea Print Workshop this afternoon, third day in a row, carrying on with little experimental blocks researching my next print about the Miner’s Wives in the 1980s Miner’s Strike. I want to put some text into my work so I had a bit of a play with a lino block and some letteringContinue reading “Inspired By P.P.P.”
Re-Visiting Monotype.
I spent a happy morning down at Swansea Print Workshop today, re-visiting a technique I used to do loads – it’s called the 3-Colour Reduction Monotype (or 3-Colour Stacking Monotype). I haven’t done this since before Covid19, over 4 years, maybe longer. Why does time shoot by so fast? I based this monotype on aContinue reading “Re-Visiting Monotype.”
A Monotype Afternoon
Left to right: Using a 4H Reeves pencil; a Faber Castell Pitt 4B graphite stick: a KohiNoor 2B graphite block. I spent a happy afternoon at Swansea Print Workshop today, doing some direct line monotypes (aka linear, trace). It’s a technique I used to do lots, but haven’t for ages, I don’t know why. I’mContinue reading “A Monotype Afternoon”
Archive: A Collage In Cardiff.
I’m flicking through my archives, this is from 2017 when I went off to Cardiff to work en plein air, in the street in Mill Lane. Unusually for me I decided to work with collage. I don’t find collage particularly intuitive, it’s quite difficult for me as I normally draw everything. But now and againContinue reading “Archive: A Collage In Cardiff.”
Lights And Darks.
I’m doing some drawings for my next lino-print and today I was playing around with composition – just a quick brush and wash sketch to group lights and darks. I need more practice with police helmets!
First Ink.
I love that moment when I roll the first layer of ink onto a new lino block, seeing the image appear out of the light grey surface. It always gives me a thrill. It’s never the same again because when you clean the block at the end of a session, the light grey bits getContinue reading “First Ink.”
A First Proof
I did this first proof from a small lino block that is an experimental detail of a much larger image I am working on for something that’s a secret just yet. I wanted to try out different marks, especially using some of the tools I hardly ever look at. I’m liking the direction this isContinue reading “A First Proof”
A Month Of Maris #15
Here’s an unusual view of a Mari Monotype, it’s all set up before I took the print. I inked an acrylic sheet, did the drawing of the Mari Lwyd onto it with cotton buds and brushes, and then laid some pieces of mulberry paper onto the surface to act as chine collé. This is theContinue reading “A Month Of Maris #15”
A Month Of Maris #13
Another of my Mari Lwyd artworks from the archives that I’m posting up to her night, Hen Galan on January 13th. It’s a reduction monotype that I did back in 2016 from an original drawing in my sketchbook. This one is really menacing.
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