Author Archives: Rosie Scribblah

An Arty Gym Workout

Another quick scribble in my little sketchbook. I used to sketch every day, for many years, then I got out of the habit over the past year or so, it become infrequent. But I’m up and running again now. Sketchbook work doesn’t have to be too polished or finished. It’s catching brief moments and inContinue reading “An Arty Gym Workout”

Complementary

I carried on painting today. I’m just doing a bit at a time because I tend to get very stressed over painting, which doesn’t happen when I draw or make original prints. So I’m just dashing over to it, slapping some acrylic paint on it, then dashing away to do something else. Today I putContinue reading “Complementary”

Another recent page from my sketchbook, getting back into the swing of scribbling regularly after a fallow period. I scribbled these at an event at GS Artists in Swansea yesterday. Local artist Owen Griffiths has just completed a residency there and was presenting his  recent “research and ideas around land use, climate change, place andContinue reading

Keeping My Hand In

Husb and I went to an event at GS Artists on Swansea’s High Street earlier today, featuring local artist Owen Griffiths. I had to have a scribble, of course. Keeps my hand in.

A Bit Less Slack

That’s two days running now that I’ve picked up paintbrushes and got to work on some canvas. I did some more work on the head of my subject and the flowers in the background. I am using Liquitex Heavy Body translucent / transparent acrylics, thinned with water to build up overlaid glazes. It’s been aContinue reading “A Bit Less Slack”

Very Slack

  I generally don’t paint because it takes for ever. When is a painting ever finished? Printmaking is very much a process, it tends to be time limited so you complete an edition of prints and that’s it. That’s what I like about it. But whenever I start a painting, it just goes on andContinue reading “Very Slack”

Precision

Working with Andrew Baldwin at Trefeglwys Print Studio last weekend, I got in some practice doing a double drop print from my aquatint plate. It’s a very specific and precise process. After carefully printing in Vermilion and taping the print to the press bed before peeling it back, we put a heavy weight onto theContinue reading “Precision”

The First Colour

After inking up my little zinc aquatint plate with a Vermilion oil-based etching ink, I worked with etching expert, Andrew Baldwin, to print the first colour of a two-colour double-drop print. Working with utmost care, I taped the long edge nearest the roller before peeling the damp paper back from the plate. It’s imperative thatContinue reading “The First Colour”