Category Archives: Printmaking

Come And See Me Up The Rhondda.

I’m off to Ynyshir in The Rhondda Valley on Friday 15th September for a one-day residency at The Workers Gallery, a little cultural gem in this former mining community. I’ve done a lot of work over the past few years around the Mari Lwyd, an ancient Welsh mid-winter tradition, so I thought I’d take lovelyContinue reading “Come And See Me Up The Rhondda.”

A Blue Cast …

Here’s another little gel-plate experiment using a 10cm diameter round plate, with three primary colours – Process Yellow, Magenta and Cyan – with lots of Extender to make the colours translucent. It’s quite a random process and each one has turned out different. This has an overall Cyan cast but also the Magenta is quiteContinue reading “A Blue Cast …”

Red Gelli

I spent a bit more time playing with a Gelli plate at Swansea Print Workshop this week, using a round plate, a bag that onions were in , Cranfield Safe-Wash Process Red relief ink and Extender onto offcuts of HoSho paper. I tend to use the Gelli plates to print papers for collage and chineContinue reading “Red Gelli”

Lemon Gelli

I was at Swansea Print Workshop this afternoon and I started working on a small circular Gelli-plate, laying down the first colour, which is Process Yellow, an intense lemon. I’m using Caligo Safe Wash Relief ink mixed 50:50 with Extender to increase translucency and the texture is created with a net that lemons were soldContinue reading “Lemon Gelli”

From My Archives: Concertina Screenprint

Here’s a screenprinted concertina booklet I made in 2018, 2 years BC (Before Covid) at a weekend workshop with the inspirational Kelly Stewart. I used motifs from my collaborative project with Dewi Bowen and Melvyn Williams, Hunting The Wild Megalith. Kelly will be running another weekend of screenprinting at Swansea Print Workshop at the endContinue reading “From My Archives: Concertina Screenprint”

GrrrRR

Here’s the little Type arrangement printed up. I’ve been trying out different ink / paper combos and I think this is the best one for me. The ink is Cranfield Safe-Wash Relief, in Process Cyan and Process Magenta with a dab of Extender in the middle. The paper is HoSho, printed on the smooth sideContinue reading “GrrrRR”

Good Wood.

I was at Swansea Print Workshop this afternoon and set up some of the beautiful vintage wooden type to carry on my experiments to find a good combination of ink and paper. The wood is so beautiful, each piece shows the patina of many years of inking and cleaning.

Bashing Bideford Black.

After coating some sheets of paper with my home-made walnut ink yesterday, I decided to stay with natural pigments and make paint with some lumps of Bideford Black I’ve had lurking in a box for years. I’d made paint with it before, using water (here). This time I mixed it with Nori paste and vodka.Continue reading “Bashing Bideford Black.”

Orange #Caturday.

It’s Saturday #Caturday and here’s a blast from the past, a little reduction linocut of Sparta Puss when she was a kitten, dating from 2010. She’s looking a bit cross, as usual.