Spent the day at Swansea Print Workshop making more monotypes based on the drawings I did while I followed around two local Mari Lwyd in December and January. I’m experimenting to find the right combination of ink, paper and glue (for the chine collé). I originally used Bockingford, Somerset then switched to a vintage paperContinue reading “The Right Combo”
Category Archives: Printmaking
Printing The Plate
After preparing the plate with my image of a Mari Lwyd, I printed it on one of the smaller etching presses at Swansea Print Workshop. For this one I used a vintage paper, by J Green & Sons that was manufactured between 1969 and 1974, sourced from the Vintage Paper Co. I didn’t have to soakContinue reading “Printing The Plate”
Prepping The Plate
Working from my recent drawings of the Mari Lwyd, I developed some of them into monotypes. I used a piece of perspex (acrylic sheet) and litho / relief ink mixed with Extender (by Intaglio Printmaker). This was rollered very thinly onto the perspex and I drew into it with cotton buds, wooden skewers, scrim andContinue reading “Prepping The Plate”
Getting Ready
I’ve been popping down to Swansea Print Workshop since Xmas, experimenting with reductive monotypes based on my recent sketchbook drawings of the Mari Lwyd. As with most things, preparation is everything and here are some of my photos of getting ready. I’m trying out different papers to print on – Somerset, Bockingford, BFK Rives andContinue reading “Getting Ready”
Experimenting With The Mari
I carried on experimenting with my Mari Lwyd sketch in monotype, getting used to working the ink and how much to leave on the plate to get the best result in the print. This is the one I like best, the density of the black is good, there is plenty of definition on theContinue reading “Experimenting With The Mari”
Menace And Monotype
I’ve been working away at Swansea Print Workshop since I finished two evenings of sketching with the Coppertown Mari Lwyd last week. I decided to develop my drawings into print and chose a fairly simple reduction monotype technique, with chine collé, as my starting point. This is the first. There is usually a period ofContinue reading “Menace And Monotype”
Luscious Leftovers!
In its sixth year, this touring international exhibition of miniature original prints is coming to Swansea tomorrow, opening with a Welsh tea from 5-7pm and then daily (except Mondays) until mid-January – but check the website for opening hours over the holiday season. Click on the link here to see the write up of theContinue reading “Luscious Leftovers!”
The Undiscovered
I’m in the process of redrawing the series of major drawings of ancient standing stones I did earlier this year. This is the Cockett Valley stone, undiscovered for thousands of years until woodland clearance in the 1970s took place to extend the school playing fields. It’s now out in the open, overlooking the small riverContinue reading “The Undiscovered”
Luscious Leftovers
Once upon a time, the printmakers of Wingtip Press in Boise, Idaho, USA were cleaning out their flat files and found dozens of little scraps of printmaking papers jamming up the drawers. Realising they probably weren’t alone with the dilemma of what to do with all those too-precious-to-throw-out leftover paper scraps, they issued an invitationContinue reading “Luscious Leftovers”
Three Papers
A while back, I did some drawings of artists who inspire me and from those drawings I made some silkscreen stencils and printed up a series of nine images. Then I scanned a couple of those screenprints and had them made into small rubber stamps and that’s what I’m working with now, experimenting and seeingContinue reading “Three Papers”
scribblah 