I have been doing some printmaking at The Bagpuss Window, the temporary artspace in Swansea’s High Street, making a little edition of miniature drypoints (similar to etchings). I set up a printing area around the little etching press, with an inking table, a blotting table and a drying table. I measured and ripped 8 piecesContinue reading “The Carved Elephant – A Drypoint Etching”
Tag Archives: printmaking
One From The Archives 15: The Warrior Gazes
Here is an illustration of how the natural differences in original print methods can work. These two pieces are taken from the same original drawing but because of the nature of the processes, one is reversed. The three colour separation monotype above is done by removing ink from a transparent sheet, then applying that sheetContinue reading “One From The Archives 15: The Warrior Gazes”
The Elephant In Lahore
I started working on a new tiny drypoint. During my residency in Pakistan last year, I did a fair bit of sketchbook drawings and I spotted this carved elephant in a restaurant in Lahore. I scribbled it and I’ve now redrawn it, with a Faber Castell Pitt drawing pen, onto a small piece of drypointContinue reading “The Elephant In Lahore”
One From The Archives 13: The Gathering
Sleep. Dream. Nightmare. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. One of my initial drawings can be seen below. For the etching, I worked onContinue reading “One From The Archives 13: The Gathering”
One From The Archives 12: Eve Imagines Big Apple Crumble
This is one of a short series of female nudes I did, based loosely on the concept of Eve and apples. It is a full-colour monotype, which is a unique artwork that uses a process beloved by the Impressionists, especially Degas and Monet. A full explanation of the technique can be found here. As with all of myContinue reading “One From The Archives 12: Eve Imagines Big Apple Crumble”
Constrained, A Victorian Tapestri
I’ve finally finished the piece I’ve been working on for the exhibition ‘A Victorian Tapestri’ at the end of this week. It’s constructed of the 12 pieces that make up a Victorian corset, cut from a heavyweight Somerset paper. I coated each with cyanotype chemicals and printed them with some of my sketchbook drawings. I’ve called itContinue reading “Constrained, A Victorian Tapestri”
Sunshine Prints
I did a whole load of cyanotypes yesterday for an exhibition and I had some pieces of paper and chemicals left over so, waste not want not, I coated the paper scraps and stored them away in a folder in a dark cupboard. Today, I shrank my negatives digitally and printed them out on acetate.Continue reading “Sunshine Prints”
Blue Sunday
A while back I began a new piece of artwork, quite an ambitious one using some of my sketchbook drawings of older women and a Victorian corset pattern to create a 3D piece in cyanotype, an archaic photographic technique. I cut the pieces from some lovely Somerset Velvet paper, 12 in all, and scanned andContinue reading “Blue Sunday”
Having A Play
I started this piece a few weeks ago. It’s for an exhibition, “A Victorian Tapestri” which starts on September the 25th. I cut the 12 pieces of lovely Somerset Velvet paper from a vintage pattern for a Victorian corset. I will be coating each piece with an image in cyanotype, an archaic Victorian form of photographyContinue reading “Having A Play”
One From The Archives 9: The Cushion
Surrounded by symbolism, the interplay of shadows describes the form of the nude. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci. This type of etching allows meContinue reading “One From The Archives 9: The Cushion”
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