Work In Progress: Miner’s Wives 4.

Last week I did 3 versions of my drawing of Miner’s Wives confronting the police (1984/85) onto Mark Resist film (see below). Today I chose the fine line drawing on the right to develop with Indian Ink and brushes. There’s still a lot to do before I expose it onto a photo-sensitised screen but IContinue reading “Work In Progress: Miner’s Wives 4.”

Work In Progress: Miner’s Wives 3.

Finally, the third version of a screen print transparency I’m making about the glorious South Wales Miner’s Wives from the 1984-1985 strike. It’s based on some pen and ink sketches from contemporary press photos and I’m trying out different materials to redraw the image onto Mark Resist film. This last version is drawn with Faber Castell Pitt drawing pens, which areContinue reading “Work In Progress: Miner’s Wives 3.”

Work In Progress: Miner’s Wives 2.

Here’s a second version of a screen print transparency I’m making about the glorious South Wales Miner’s Wives from the 1984-1985 strike. It’s based on some pen and ink sketches from contemporary press photos and I’m trying out different materials to redraw the image onto Mark Resist film. This is drawn with Lihtographic Tusche and an Isabey squirrelContinue reading “Work In Progress: Miner’s Wives 2.”

Work In Progress: Miner’s Wives1.

I spent a few hours down at Swansea Print Workshop this afternoon, trying out some more ideas for the print I intend to make about the glorious South Wales Miner’s Wives from the 1984-1985 strike. I have already made some pen and ink sketches from contemporary press photos and I’m trying out different materials toContinue reading “Work In Progress: Miner’s Wives1.”

And A Little Bit Pear Shaped: 4

Towards the end of the day I spent up The Workers Gallery in Ynyshir last week, I had a fourth, final, attempt at doing a monotype with a silkscreen and Daler Rowney acrylic screenprint medium. My experiments with Inktense blocks were a miserable failure (here) so I switched to watercolour pencils. First, I printed aContinue reading “And A Little Bit Pear Shaped: 4”

A “How To” Film – Screenprint With A Naughty Cat!

Husb and I have made a short 3 minute film about how to set yourself up to do silkscreen printing on a kitchen table, or desk. The cat joined in. Of course she did! A lot of people ask me how to set up for printmaking at home, so this will be the first ofContinue reading “A “How To” Film – Screenprint With A Naughty Cat!”

Still Pear Shaped: 3

After disappointing results with the Inktense blocks*, I decided to switch to watercolour pencils. I’d done this monotype technique before and the results weren’t bad, so I thought I’d give it another go. I drew onto the screen mesh from an old portrait sketch, and then squeegeed Daler Rowney Screenprint Medium through it. The resultContinue reading “Still Pear Shaped: 3”

Then It Carried On Being Pear Shaped: 2

Following on from yesterday’s tale of defeat*, I had a think about what might have gone wrong and wondered if the Inktense marks on the silkscreen just didn’t get wet enough to release their vibrant pigments onto the paper. So I made the mesh nice and wet and drew onto it with the Inktense blocks.Continue reading “Then It Carried On Being Pear Shaped: 2”

Then It All Went Pear-Shaped: 1

I spent last Sunday up The Workers Gallery in Ynyshir, doing some experiments with silkscreen monotype techniques. I wanted to see if Derwent Inktense blocks would work, using them to draw from a small sketch directly onto the screen mesh. Once I finished sketching, I put a piece of paper under the screen and pouredContinue reading “Then It All Went Pear-Shaped: 1”

Trying New Things

I spent a lovely day at The Workers Gallery in Ynyshir at the weekend, trying out some new techniques for screenprinting. Gayle and Chris, the artists who run the gallery, are away so I jumped at the chance of taking over the space and experimenting without the distractions of home and cat. First priority, makeContinue reading “Trying New Things”