Spic And Span

Here’s another quick little scribble I did in my sketchbook while I was wandering around the city centre the other day. There were orderly queues everywhere, luckily it was warm and sunny, and there was this council employee power washing chewing gum off the pavement, making it spic and span for the returning shoppers.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Figures In A Queue 2

Now that there are more people around I’m out and about a bit more sketching. It’s great that people are in queues at the moment because they’re not rushing around and that makes it easier for me to sketch them. It’s good practice.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Rework Redraw

I do loads of sketches into sketchbooks but I rarely go back and work into them some more. I don’t know why, just something I’ve never thought of doing. So today I was flicking through my landscape Khadi sketchbook to see how many pages I have left and I realised that I had done mostly quite light and insubstantial pencil or ballpoint sketches. So I grabbed some of my homemade walnut ink and a big Escoda brush and worked into this very slight drawing of the Hoad monument. I think it’s much better now it’s been reworked.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Figures In A Queue

I’m trying to do more street sketching en plein air now that lockdown is easing off. I used to do a lot of outdoor scribbling, but there have been so few people around over the past year. But now we have queues! So I’m going around drawing them. It’s good practice as I get a chance to draw proportion and perspective. Here’s part of the queue outside the local mosque.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

 

 

Finally Finished Faking Frida

I finally finished faking Frida! I started this weeks ago on a Zoom tutorial with Ed Sumner of the Cheese and Wine Painting Club on Facebook. The original is a modern painting by an artist called Nettsch. I need more practice with foliage and birds, they were much harder than the figure. It’s painted in Liquitex acrylic onto stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Pushing It

Oh, I hated doing this. But I pushed myself to finish because you don’t learn much by giving up. Margaret MacDonald’s original, The Mysterious Garden, was watercolour and ink over pencil on vellum and this copy is acrylic paint onto stretched canvas, so it wasn’t going to be easy to make an accurate fake. It’s not too bad though.

I started painting this last week during the regular Friday Cheese and Wine Painting Club on Facebook, run by the painter Ed Sumner. It’s been going for just over a year now and it’s been such a great thing to do throughout lockdown.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

In The Dark Without My Glasses

I really need varifocal glasses, but I tried them and they made me feel sick and I fell over my feet. So now I juggle with three pairs of glasses but yesterday, when I had a scribble during a Zoom meeting, I couldn’t find the ones I needed so I ended up doing the sketch without glasses in a dark room. That’s my excuse and I’m sticking to it 😀

Woman In Gold In A Minute And Lots Of Fakes

For most of the past year, since the first lockdown began, I have been painting fakes on Fridays with Ed Sumner’s Cheese and Wine Painting Club on Facebook. Here are the first 28 – I’ve got about another 20 since I did these.

And here’s a timelapse video of me painting Gustav Klimt’s Woman In Gold in a minute!!!! Yes, a minute. Klimt took 4 years! 😀

A Slow Sketch

A Slow Sketch.

I’m sketching from some photos I did on one of our local walks the other day. It’s a different kind of sketching, normally I sketch from life but that has to be done really quickly. Sketching from photos gives me the luxury of analysing what’s there, comparing proportions, looking at perspectives and building up a picture of all the individual components.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

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Sketching, Masking And An Explosive Pudding

Back to basics

Back to basics today with a little bit of sketching. I’m going to try and do a good few of these over the coming week. I’ve been neglecting my sketchbook work for a while, which is really slack of me. Sketching is good practice and I need to take it more seriously. I used to sketch almost every day but I’ve seriously lapsed during the last year of pandemic lockdowns. I’m working from photos, but that’s the way it is at the moment.

Hardcore

I treated myself to a new respirator mask. I’m starting to fancy doing some woodcuts on MDF and disposable masks are not really good enough for any serious carving, so I got this lovely little number, a NA&UM Chemical Respirator Mask M101. It’s pretty hardcore – I think I’ll wear it to the local shop.

First of the season

And I made the first rhubarb crumble of the season. The garden rhubarb is lovely, very mild and pink and it’s just gorgeous with custard. That’s a Husb sized portion there, any more than a spoonful for me has an explosive effect on my digestive system, I’m afraid.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.