Tag Archives: Lower Swansea Valley

Copper Crucibles Part 1

I took part in a Zoom art session recently which is inspired by Swansea’s industrial heritage. Copper Crucibles is a two part course, making small clay crucibles in moulds on one day and then, when lockdown restrictions are lifted and we can get out and about, we’ll be doing a raku firing for part 2.Continue reading “Copper Crucibles Part 1”

Back in Black

Hello. This is my third podcast and it’s about where the colour black comes from, with a bit about Swansea’s local industrial history thrown in. It is mostly based on the book: Colour Travels Through the Paintbox by Victoria Finlay PURITANS AND PIRATES: Booze and Brothels and the Colour Black Hiya. Rosie Scribblah here. ThisContinue reading “Back in Black”

Sawing And Scribbling

Husb and I spent a few hours up a hill cutting down trees with some of our young relatives. The area is quite heavily forested, having been reclaimed from heavy industry during the 1970s after a couple of centuries of pollution. This area was the crucible of the Industrial Revolution and was badly scarred untilContinue reading “Sawing And Scribbling”

The Dancer In The Hairy Slippers

Here’s a piece I finished earlier this month for the exhibition I’m currently in at The Brunswick in Swansea. It’s a combination of a solvent transfer print overlaid with a drawing that started life in one of my sketchbooks. I went to an avant garde theatrical piece by Marega Palser, who also does performance drawing,Continue reading “The Dancer In The Hairy Slippers”

Reality And Virtuality.

I’ve been at the Print Workshop grafting on some  full-colour monotypes for the new exhibition. Here’s the second one finished. I posted stages one and two yesterday; this is what it looks like after the final, Process Blue, layer. I’ve used Intaglio Printmakers relief/litho oil-based pigment onto BFK Rives 250gsm paper. Back in the summer,Continue reading “Reality And Virtuality.”

PHEW!

I was back at Swansea Print Workshop this evening to put the final layer of ink onto my monotype – the Process Blue. It’s this final stage that either pulls the whole thing together or results in me sobbing inwardly and resolving to get a job filling shelves in a supermarket instead of ever doingContinue reading “PHEW!”

More prelims

I’m working on a preliminary series of 4 reduction monotypes. These are not final pieces; they’re stages on the way of deciding what works and what adaptations are needed before I do the final pieces. Unusually, I’m working from photographs as my starting point. I’ve taken a photo of one of the graffiti-covered industrial ruinsContinue reading “More prelims”