There’s an Open Weekend at Swansea Print Workshop coming up (see below) and I’m sorting out some of my work to put on sale. I’ve been doing some little linocut prints onto postcards so I’ll pop these into small frames and sell them at relatively low prices. They are all embellished with chine collé, usingContinue reading “#Caturday: Two Cats And A Horse”
Tag Archives: original prints
Marvel! Exclaim! Enjoy!
It’s Swansea Print Workshop’s annual open weekend next week, Saturday and Sunday 29th and 30th November, from 10.00 – 4.00. Come and marvel at our antique printing presses, exclaim at the Tardis-like ambience of the unusual Victorian building, and enjoy the fabulous array of original prints on exhibition and for sale from our studio artistsContinue reading “Marvel! Exclaim! Enjoy!”
Pollution And The Seagull
I spent the morning at Swansea Print Workshop – we are doing a very limited re-opening now that the Covid19 restrictions are relaxing. I want to finish an edition of screenprints I made from a drawing of a stuffed seagull back last Autumn. I printed a load of seagulls on newsprint while I wasContinue reading “Pollution And The Seagull”
The Final Touch
The mixed media print I’ve been working on for the past couple of weeks is now finished! I did the final touches this evening. “Dragon’s Revenge” is designed by Jamie Reid and commissioned by GS Artists and is a combination of archival digital print (the pale blue background and the word DRAGONS), screenprint (theContinue reading “The Final Touch”
Onto The Next Block ……
As one art project comes to an end, the next one gets started. I’m cutting a new little lino block – something for International Womens’ Day #IWD2020 . I’m using hard brown lino and I’ll fix the block to a stamp base that I bought in the Modular store in Berlin a while back. AndContinue reading “Onto The Next Block ……”
Nearly There…
I used my sweet little antique press today to carry on printing a little lino block. Here’s a closer view of the cast iron press, which is probably early Victorian and made in London, by Sampson Mordan & Co. These are often called bookbinding or nipping presses but it’s possibly one of the veryContinue reading “Nearly There…”
A Sharp Tool And A Strop
When I’m cutting blocks for printmaking, whether it’s lino, vinyl, wood or foamboard it’s vitally important to keep my tools sharp. Once a tool goes blunt it’s a dickens of a job to sharpen it again. Sharpening your tools as you work slows you down a bit but it is more efficient than sharpening toolsContinue reading “A Sharp Tool And A Strop”
Messy!
I’m onto the messy stages of screenprinting now … squeegeeing ink through the stencil on the silk mesh on to the paper below. I’m almost half way through the edition, hope to have it finished by the end of the week. Here’s a short video of me using the vacuum screenpress to print theContinue reading “Messy!”
Step By Step
Building a screenprint step by step. It’s a lot of processes and each one has to be exact and tried out as a trial proof at each stage. Here’s the photoscreen of the little knight (above) and here he is printed in cobalt blue (below). I’m happy with the little chap. I’mContinue reading “Step By Step”
A Soft Squeegee And A Vacuum Press
I cracked on with my trial proofs today at Swansea Print Workshop. I exposed and developed the screens yesterday, and today I mixed up some inks and tried out the screens. I’m very pleased with the quality and resolution. I’m using aluminium screens with 120 mesh from Screenstretch and Azocol photosensitive liquid stencil. Continue reading “A Soft Squeegee And A Vacuum Press”
scribblah 