One From The Archives 18: Rinascere #10

I often use the idea of an individual enveloped by darkness. I find it both isolates the model and allows me to focus on small, significant details or design elements. It concentrates attention on the central figure as well as exposing the nature of the materials used. Here, the dark washes show up the textureContinue reading “One From The Archives 18: Rinascere #10”

One From The Archives 17: Leg Up

This model is very physically active and as a result, very confident about her body and the poses she strikes. Here she is leaning back with her leg up in a devil-may-care sort of way. It always surprising just how much the physical presence of a model can reflect their underlying personality. My life drawing isContinue reading “One From The Archives 17: Leg Up”

Working On Me

I’m reaching the end of my time drawing on the wall at The Bagpuss Window, Swansea’s pop-up artspace. Tomorrow is our last day and the keys go back to Coastal Housing Group on Thursday so that the building can be demolished to make way for new social housing. So it’s going to be put toContinue reading “Working On Me”

One From The Archives 16: Dystopia

This is an etching of one of the male models I work with. It was developed from the nude study below, which I drew with Renaissance materials, inspired by artwork I did for a television series about da Vinci. Each printmaking technique has its own advantages. This one allows me to indulge myself, using allContinue reading “One From The Archives 16: Dystopia”

The Carved Elephant – A Drypoint Etching

I have been doing some printmaking at The Bagpuss Window, the temporary artspace in Swansea’s High Street, making a little edition of miniature drypoints (similar to etchings). I set up a printing area around the little etching press, with an inking table, a blotting table and a drying table. I measured and ripped 8 piecesContinue reading “The Carved Elephant – A Drypoint Etching”

Walking The Labyrinth

Here’s 3 minutes of my feet walking the lovely labyrinth made from chipped bark by archaeologist Dewi Bowen and musician David Pitt in The Bagpuss Window this week. The feet are not interesting at all, except it looks like I have my shoes on the wrong feet, but the accompanying gong music from David is wonderful.Continue reading “Walking The Labyrinth”

One From The Archives 15: The Warrior Gazes

Here is an illustration of how the natural differences in original print methods can work. These two pieces are taken from the same original drawing but because of the nature of the processes, one is reversed. The three colour separation monotype above is done by removing ink from a transparent sheet, then applying that sheetContinue reading “One From The Archives 15: The Warrior Gazes”

One From The Archives 14: Jaunty

I never know who I will be drawing when I turn up for my weekly life drawing session. The models can be in their seventies or twenties, male or female. Because of this they each present different challenges and opportunities. Older models bring a lot of experience which is often visible on their skin orContinue reading “One From The Archives 14: Jaunty”

The Elephant In Lahore

I started working on a new tiny drypoint. During my residency in Pakistan last year, I did a fair bit of sketchbook drawings and I spotted this carved elephant in a restaurant in Lahore. I scribbled it and I’ve now redrawn it, with a Faber Castell Pitt drawing pen, onto a small piece of drypointContinue reading “The Elephant In Lahore”

One From The Archives 13: The Gathering

  Sleep. Dream. Nightmare. This is an etching of one of the female models I work with and is developed from a nude study drawn with Renaissance materials, inspired by artwork I did for a television series about da Vinci.  One of my initial drawings can be seen below. For the etching, I worked onContinue reading “One From The Archives 13: The Gathering”