Been On Holiday

Husb and I have been on holiday, visiting relatives in Cumbria, the Lake District. We spent some time in Ulverston, one of our favourite places, almost 750 years old and the birthplace of the comedy actor Stan Laurel. We came across these two, masked up, in an alleyway in Ulverston, close by the town’s Laurel and Hardy Museum. Ulverston also has the BEST pie shop in the country, in my opinion, Irvings Butchers. We bought some pies to fortify us on the journey home. And some for tomorrow 😀

It was a nice rest and wonderful to see family that we haven’t seen in the real world since 2019. It’s been a long time, too long. Back to work tomorrow, I have two paintings to finish and some printmaking ideas to start working up into designs.

Nearly Finished The Sky

I did a bit more work on the sky painting I started yesterday at Ed Sumner’s online “Cheese and Wine Painting Club“. I think I’ll have to do a bit more faffing; a couple of the smaller clouds are too dark and there’s more to be done on the reflections of the clouds in the water, as well as a tiny bit of faffage on the trees. But nearly there. Faffage. Is that a word? Well, it is now.

I used Liquitex Heavy Body acrylic paint onto a primed stretched canvas.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Halfway Through The Sky

I’m about half way through this cloud painting that I started in the Cheese and Wine Painting Club over on Facebook earlier today. Ed Sumner usually chooses a painting by an established historical artist but this week chose to work from a photograph to give us some intense training in painting clouds. I really like to get some technical practice in. Still a lot more to do though.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The One Full Hour

We have a tea break half way through the 3 hour life drawing session at Swansea Print Workshop. Before the break we do a series of short poses but then in the second half we have just one full-hour pose. I have mixed feelings about these. There’s a lot to be said for having some time to work on measurement and detail but these longer poses lose the immediacy of the quicker drawings. I used black, sanguine and white conte crayon onto a heavy textured black vintage paper.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Wicked Foreshortening

Here’s a reclining pose from last week’s life drawing session at Swansea Print Workshop. It’s got wicked foreshortening, which I love but I think it’s really hard to draw. I used white, sanguine and black conte crayons onto a lovely soft, textured vintage black paper. It was given to me by a friend from the studio of his late father and there’s no watermark so I don’t know the make. Pity, it’s gorgeous and I’d love to buy more.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faffing With Vincent

I’m still faffing with this copy of Vincent van Gogh’s “Bedroom In Arles”, it’s a lot more complex than it looks at first, as are all his paintings. Although the composition is relatively simple, the complexity is in the layers and layers of paint piled thickly onto the surface of the canvas. I love it but it takes ages to do. I’m using Liquitex Heavy Body acrylic paints onto stretched canvas and I began this in one of Ed Sumner’s Zoom painting tutorials.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

FINISHED!!!!!!

Finished faffing and faking Franz Marc’s “The Yellow Cow”. It’s very richly coloured with lots of layers of glazes built up on top of each other, lots of blending too. Took a while but I really enjoyed it. I started it with Ed Sumner’s Cheese and Wine Painting Club on Facebook last week. Here are the stages I went through. I used Liquitex Heavy Body acrylic paint onto a stretched canvas (50 x 40 cms).

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Carrying On With The Yellow Cow

I’ve been carrying on faking the Franz Marc painting of a yellow cow I started last week. The composition is fairly simple and although the colours look simple as well, they’re actually quite complex with lots of overlays and blending. That’s what’s taking the time. I’m hoping to finish it tomorrow. I started this with Ed Sumner’s Cheese and Wine Painting Club on Facebook. It’s been running weekly since the pandemic lockdown began in March 2020 and it’s lovely.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Building Blocks

This is one of the 30 minute poses from this week’s life drawing session at Swansea Print Workshop. It wasn’t enough time to complete it but I like drawings that are unfinished, I like to see the building blocks of the image. I really like the hands in this pose. I used black, white and sanguine conte crayon onto black paper.

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Quick Ones

Here are the two quick warm-up poses from last night’s life drawing session at Swansea Print Workshop. The left is a 5 minute pose, the right a 10 minuter. I used white and sanguine conte crayons onto a very velvety heavy weight black paper. I don’t know where I got it from, I’ve been given lots of paper over the years when elder artists have closed up their studios or died; I found it in a draw in my plans chest so, waste not want not, eh?

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.