Tag Archives: David Hockney

Finished Faking, More Baking

19 Jul

Hockney 3

I finished faking Friday’s faux Hockney, that’s about 4 hours in all. I’m not a painter, I much prefer drawing and printmaking. If I’m honest, to me, painting is like colouring in. I know painters will be outraged, but once I’ve done the drawing, that’s the creative bit over for me. But, doing these weekly paintings has been good practice and kept me occupied through the pandemic.

 

I also made a couple of rhubarb crumbles. I’m taking the big crumble to family for their tea and the smaller one is for Husb. He takes no prisoners when it comes to crumble.

rhubarb crumble

The rhubarb in the garden is HUGE! It’s like a rhubarb jungle out there.

rhubarb

 

Why not join in with Ed Sumner’s Cheese and Wine Painting Club on Friday lunchtimes. It’s free or a donation if you can afford it. Next week is Turner’s The Fighting Temeraire.

 

 

 

 

 

Still Faking, Finished Baking

18 Jul

Hockney 2

I carried on with the painting I started yesterday, a fake of David Hockney’s “Going Up Garroway Hill” that was the subject of Ed Sumner’s Friday lunchtime Cheese and Wine Painting Club on Facebook. It’s been good discipline for me to do this weekly challenge throughout the pandemic. It’s been really great the amount of things that have sprung up across the world during lockdown. Painting isn’t something I normally do much of so it’s been useful to learn and improve my techniques and also studying famous painters and analysing how they do their work. There’s probably another hour or two before it’s finished – although I could keep on refining it all week, but I won’t.

madeira

And today I baked a classic Madeira cake. I read many years ago that the mark of a good Madeira is a crack across the top. It has that, so I’m pleased. I’m baking for a family funeral on Monday, so won’t get a chance to taste it until then.

Half Faked And Half Baked

17 Jul

half done

It’s faking Friday again and the subject of this week’s painting session with the Cheese and Wine Painting Club over on Facebook was David Hockney’s “Going Up Garrowby Hill”. I’m about halfway through, I’ve got an hour or two left to work on it, there’s a lot of patterning. I’m using Liquitex heavy body acrylics.

chelsea buns unbaked

And then I did some baking …. these Chelsea Buns are halfway there, just need baking off now.

Next week at The Cheese and Wine Painting Club, we’re doing Turner’s “The Fighting Temeraire”. It’s free or a donation if you can afford to. It’s family friendly and suitable for beginners.

 

 

Endless

30 Mar

I did these sketches on one of the endless train journeys yesterday in London. Husb and I went up to pick up some printmaking supplies from Intaglio Printmakers in Southwark and then onto the Dulwich Picture Gallery for the exhibition of David Hockney prints. But London’s transport system was conspiring against us. Every single journey we made was severely disrupted. A 12 minute journey turned into an hour long trek with 3 different trains. Still, it gave me a chance to draw people on the way.
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I Don’t Do Nature

4 Jun

I draw people and occasionally, at a push, animals but I don’t do nature. I’ve just finished Martin Gayford’s book about his conversationas with David Hockney and he discusses his new-ish paintings from the countryside surrounding his home in the north of England, so I thought I should break out of my comfort zone and give nature a go. He talks about how artists interpret what we see, rather than slavishly copy it and how we decide what to focus on, what marks to make, what materials to use in order to interpret, and when he put it like that, it seemed less intimidating. I think that when I’ve tried it in the past, I’ve aimed to be too representational and tried to do something like botanical drawings and really, that’s a whole different genre in itself and not something that particularly interests me.

So I had a bash today using my Faber Castell Pitt drawing pen [size S] and Aquarelle watercolour pencils into an A6 watercolour pad. This is a corner of our new ‘pond’ down on the allotment, which is an old bath and a plank of wood. We’ve had it a fortnight and already the native flag iris and pondweed I transfered from our garden pond have established themselves along with a newt and loads of insects. I’m going to draw reguarly from nature for a while and get some practice in.

More Male Nudes [parental guidance].

29 Apr

Ink sketch: male nude.

Here’s another of my most recent life drawings, working with our soldier model. I’ll be back in the studio tomorrow and I’ll begin working this up as a mixed media drawing. When I was doing it I was concentrating very hard on the hand and it’s a little bit larger than it appeared in real life, despite the foreshortening. It reminded me of something in Martin Gayford’s recent book of conversations with David Hockney, who spoke of how, when we look closely at something, it becomes bigger; it assumes greater importance. This makes traditional Renaissance geometric perspective a construct, it isn’t really what’s happening [according to Hockney] and it often does not feature in non-European art.

Big Cushions And DIY

22 Apr

Ink sketch.

We’v had a long weekend of D.I.Y. and we’re grubby and tired so catching some relaxation with BBC’s ‘The Voice’. Iwasn’t expecting to like it at all but Tom Jones is such a legend and Will.I.Am is delightfully funny and the standard of singing is good to spectacular. Husb is chilling out on the big settee surrounded by cushions and it’s fun to draw all the patterns and textures surrounding him. It’s not a good likeness as I was too involved in drawing all the stuff around him.

It’s nice to do a drawing like this because I can go to town on mark-making, creating patterns on a flat plane and not worrying too much about perspective. I’ve been reading Martin Gayford’s recent book about David Hockney, where he discusses how artists see and represent the world, how different it is to photography and even challenges the use of European traditions of perspective and geometry. Interesting stuff.

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