Tag Archives: landscape painting

Faking A Fauve

19 Feb

It’s Faking Friday again with Ed Sumner’s Cheese and Wine Painting Club on Facebook. This week we copied “Charing Cross Bridge” by the early 20th century Fauvist artist Andre Derain. I’ve always loved the work of the Fauvists, the word is derived from the French Fauves – wild beasts. Matisse is probably the most famous of the group. I’ve almost finished – maybe another hour over the weekend should do it.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Back To The Paint Club

12 Feb

Back to Friday lunchtime Cheese and Wine Paint Club with Ed Sumner on Facebook today. An abstract landscape this week, not my type of thing if I’m honest but I learnt a lot about applying and layering paint. I used Liquitex Heavy Body acrylic onto a small stretched canvas, using brushes, palette knife and fingers.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Flicking And Faking

25 Jan

Waterlilies 6

Today I finished faking one of Monet’s waterlily paintings that I started last Friday with the Cheese and Wine Painting Club over on Facebook. What I really liked about this one was learning to apply paint in different ways, not just using a brush. I used my fingers to smear, nails to scratch, a rag dipped in water to dissolve, and flicked water from my fingertips to get stipples and runs. I used Liquitex Heavy Body acrylic paint onto a recycled canvas.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Faking Friday, Murky Monet

22 Jan

Waterlilies 5

What number is this fake? I think it’s 34. That’s a lot of painting, paint and canvasses since I started back last Spring with Ed Sumner’s Cheese and Wine Painting Club over on Facebook. Every Friday lunchtime is a different painting by a famous artist to fake in an hour and a half. I’ve never finished and always have an hour or two more work to do. But that’s fine, I’m learning so much about painting. This week is one of the water lily pieces by the Impressionist artist Claude Monet, I think it’s the sixth of his so far. I’ll do some more work on it over the weekend, it’s a bit murky, I want to lighten it.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Finally Finished Faking Hockney’s Yorkshire Logs

18 Jan

logs final

Here’s the finished fake David Hockney painting. I started it on Friday so I’m pretty pleased with the progress. As always I learnt a lot about painting by doing it.

I’ve been doing these paintings with Ed Sumner’s Cheese and Wine Painting Club on Facebook every Friday. Ed started it at the beginning of the first lockdown back in March 2020 and he’s kept it going to give people something to do during the pandemic. It’s fun and it’s free or a donation if you can afford it.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

More Faking, More Baking

17 Jan

logs 7

I did some more painting on the Hockney I began on Friday with Ed Sumner’s weekly Cheese and Wine Painting Club on Facebook. His work is a lot more complex than it looks, although his compositions seem fairly simple, there are layers and layers of paint and texture piled up on the canvas. I hope another hour or so tomorrow should get it finished.

Almond Raspberry 2021.jpg

After that, I was rooting around in a cupboard and found a packet of ground almonds and in the freezer, a box of our allotment raspberries from last year. So an almond and raspberry cake was a no-brainer really. There’s not much left – Husb takes no prisoners when it comes to cake.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

David Hockney On Faking Friday

15 Jan

logs 5

It’s Friday so it’s Faking day with Ed Sumner’s Cheese and Wine Painting Club on Facebook and this week it’s one of the Yorkshire paintings by David Hockney. I’ve got the basics down and now I need to spend an hour or two on the details over the weekend. Ed Sumner started the painting club when the first lockdown began last March and has now done over 40 weekly sessions, which are free or a discretionary donation if you can afford to. I haven’t done all of them – this is number 33 for me. It’s good fun and I also learn a lot about painting. And it’s helping to keep a lot of people sane throughout the pandemic.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Finally Finished Faking And A Bit More Baking

22 Dec

Mountain final

I finally finished faking the Cezanne landscape I started last Friday. He’s a very complex painter, the canvas is covered in layers and layers of translucent paint, and pigment dragged on with a dry brush so you can see so many subtle colours glowing through the entire work.

I also finished icing some little Xmas cakes I made to give as gifts this year. They’ve been soaking up whisky for the past couple of months 😀

Xmas cake 2 2020

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Squinting

21 Dec

Mountain 10

I carried on working on last Friday’s fake painting, a landscape by Cezanne. The strident orange needed to be knocked back a bit, which I did with a very thin wash of watered down titanium white (Liquitex Heavy Body acrylic). But then I lost the lowlights so I had a good squint at the original and put the darkest tones back in with a translucent Van Dyke Red, which is really a rich russet brown. I think I’ve got the light/dark balance about right now, so next I’ll go over the dark red with a translucent green to get a dark tone that is nearer to the original.

I did some baking too, bola do caco – Madeiran sweet potato bread, cooked on a maen (griddle). It was gorgeous. Definitely one to do again.

bola do caco

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking And Baking … Again

19 Dec

Tulips 6

I finished this fake Monet today – Tulip Fields. I started it the Friday before last in Ed Sumner’s Cheese and Wine Painting Club and it’s taken me a while, but that’s the trouble with the Impressionists – all those little dots and dashes take ages.

And Husb did some baking today – our first mince pies of the season. Lovely. They will be shown no mercy 😀

Mince pies 2020

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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