Tag Archives: landscape painting

Finished Faking Another Vincent

9 Nov

wheat 7

And here’s another fake, hot off the easel! It’s a copy of the van Gogh “Wheatfield” that I started in last Friday’s Cheese and Wine Painting Club over on Facebook. I’m losing count now but I think it’s about 24 that I’ve done since April. The session’s tutor, painter Ed Sumner, has been running these weekly since the first lockdown started, offering tuition for a donation or free for those who can’t afford it.

 

 

The subject of next Friday’s Cheese and Wine Painting Club is Rousseau’s “The Mandrill” – please click here to take a look.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Faking Vincent

6 Nov

wheat 4

This afternoon’s Cheese and Wine Painting Club on Facebook was about van Gogh and this lovely painting of a wheatfield and cypress trees. The session is an hour and a half but I rarely finish in that time. I reckon I have perhaps a couple more hours on this, so that’s something for the weekend.

I use Liquitex Heavy Body acrylic paints and Daler Rowney brushes for acrylics onto a primed canvas from Wilkinsons. The painting club has been running every week since the beginning of the first UK lockdown in March. Painter Ed Sumner is a great teacher and it’s suitable for all ability levels. Ed asks people who can afford to make a donation through Paypal or Eventbrite so that people who can’t afford to pay can join in, which is a really nice thing to do – he has to earn a living after all. Ed’s next Friday class is Rousseau’s “The Mandrill” – please click here to take a look.

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Sparta Puss And The Magpie

2 Nov

Magpie final

Today I finished off the copy I made of Monet’s painting “The Magpie”, started with Ed Sumner’s Cheese and Wine Painting Club on Facebook. So many shades of white! I used Liquitex heavy body acrylic paints, Daler Rowney brushes for acrylics and a primed canvas from Wilkinsons. Oh, and a couple of palette knives. In fact, I mostly used the palette knives, which is something new for me.

Sparta Puss isn’t impressed. We have a pair of magpies that return to nest in the tree next door every year and they are her sworn enemies. She’s never managed to harm them though. She’s a little on the ….. chunky side and can’t climb up as far as the nest. They torment her, throw stones at her and scream at her from the other side of the window when she’s indoors. She hates them.

Sparta Magpie

 

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Skull And Roses

1 Nov

Skull 1

I’ve been practicing my painting skills with the Cheese and Wine Painting Club on Facebook, every Friday afternoon. This week our tutor, Ed Sumner, added an extra session on Saturday inspired by Halloween and Día de Muertos. It included a very thorough and useful instruction on how to draw a skull from scratch.

We started in pencil and then permanent marker pen before splashing very thin paint at random over the canvas. It was carnage – so much cleaning up to do after! It was exhilarating to be so free though. After the splashing about we learnt how to do roses. All very useful. I used Liquitex Heavy Body acrylic paint onto a stretched and primed canvas.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Faking Magpie

30 Oct

Magpie 7

I had a faking fun Friday with painter Ed Sumner’s Cheese and Wine Painting Club over on Facebook. Each Friday throughout lockdown Ed has hosted a painting session for people at all levels of ability, teaching painting skills by copying famous works of art. Today it was “The Magpie” by Monet. There’s a surprising amount of colours in it considering it’s a white wintry scene.

I haven’t finished yet, maybe another hour or so on it, mainly to work on the shadows and highlights. I did most of the painting with a palette knife, which was fun as I rarely use one. I’m learning a lot from these sessions. Ed asks people who can afford to, to donate something so he can keep it free for those who can’t afford to pay anything. There’s an extra session tomorrow at 16.30, a Halloween special.

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

Happy Little Fake

27 Oct

mountain final

I finished off the fake Bob Ross that I started painting on Saturday lunchtime with the Cheese and Wine Painting Club over on Facebook. Painter Ed Sumner chooses a painting each week for people to copy with his humourous and skilled tutoring. I don’t like the Bob Ross style if I’m honest, but I love watching him every evening during the week on BBC4. He’s so nice and relaxing and he’s also a very skilled painter, even if you don’t like his style.

I used Liquitex Heavy Body acrylic paints onto a cheap canvas from Wilkinsons and brushes from a Daler Rowney 10 piece set for acrylics. Those happy little trees were a pain to do! He makes it seem so easy on the telly.

 

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

Inspired by drawings of the taxidermy collection at Swansea Museum. I have given these antique artefacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

The Underlying Barbie-ness

5 Oct

cezanne still life 6

I started this fake Cézanne last Friday at the lunchtime Cheese and Wine Painting Club on Facebook. It’s my 17th fake – one of the lockdown challenges I set myself was to improve my painting skills and I love studying the work of other artists.

I began with a pink background, which was a bit of a shock at first but was soon muted by layers of colour which took on the intense warmth of the underlying Barbie-ness. Another couple of hours should see it finished. I’m using Liquitex Heavy Body acrylic paint onto a primed canvas from Wilkinsons. This particular canvas was recycled with a layer of gesso after I rejected the previous week’s fake 😀

Next up at the Cheese and Wine Painting Club is Monet’s “Cliffs At Etretat”. Come and join in, it’s fun and you get to learn a lot. Suitable for beginners and children.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

A Faking Failure

30 Sep

goodwin 4

I’ve been faking paintings for about 4 months now, one of my lockdown challenges is to improve my painting skills. This last one (number 17) defeated me. Some of the others have been tough but this one, the original is by William Goodwin, is the first I’ve thought was a complete failure.  I just couldn’t take to it at all. So, waste not, want not – I painted the whole thing out with gesso and I’ll start another one with the Cheese and Wine Painting Club on Facebook on Friday. This week is a Cezanne still life. Looking forward to it.

 

 

 

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left and to see the complete image.

In this one, I combined snippets of a bird and discarded plastic with the image of a bug, part of the Museum’s fascinating vintage collection.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

Finally Finished Mockney

28 Sep

mockney fields final

This has taken me ages to finish. It’s a copy of a painting by David Hockney – someone on Facebook, I forget who, called it my Mockney. One of my lockdown challenges has been to improve my painting skills so I joined the Cheese and Wine Painting Club on Facebook and learn by copying a work by a famous artist every Friday lunchtime. The original has so many layers of paint, put on in loads of dots and dashes and that’s why it has taken me so long. I’ve really enjoyed it though, I’ve been completely in the zone with it. I think it’s the 16th I’ve done so far.

 

 

A Chance To Own One Of My Artworks

I have some small screenprints for sale, inspired by my drawings of the taxidermy collection at Swansea Museum. I have given these antique artifacts a modern twist by combining them with images of rubbish – old fruit nets, bubble wrap and plastic – highlighting the problem of human pollution and how it affects wildlife.

To buy my work on the Swansea Print Workshop site please click the image to the left.

In this one, I combined the image of the bird with snippets of text of things my Nana used to say. She used to take me to Swansea Museum a lot when I was small and I could hear her voice in the back of my head as I was sitting and drawing the birds and bugs.

20 percent of the cost of each screenprint sold goes to support Swansea Print Workshop, which receives no public funding.

 

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