Flowing

  Thinking and planning what to work on next. I want to develop a series of large woodcuts working with a retired female soldier and life model, so I’m looking back through my sketchbooks at the work I have already with her done over the past three years to get the creative juices flowing. IContinue reading “Flowing”

En Plein Air

There was an interesting demonstration in the city centre yesterday from Extinction Rebellion, raising awareness of climate change. Of course, I had to have a scribble en plein air. Not easy when everyone is moving a lot…

Africa In Madeira

  Husb and I spent a few days in Madeira, an amazing place, and we went and explored the Monte Palace Tropical Gardens and Museum in Funchal, after a crazy ride up the mountain in a cable car swinging wildly in the wind.   There’s a fabulous permanent exhibition, “African Passion” from sculptors from ZimbabweContinue reading “Africa In Madeira”

A Bit Of A Lift

Husb and I have spent a few days in Madeira, a gorgeous mountainous island in the Atlantic. The climate is wonderful so we set out with a picnic and drawing materials to climb and explore the upper reaches of Camara do Lobos. The little terracotta tiled houses are scattered higgledy piggledy up the steep slopes,Continue reading “A Bit Of A Lift”

An International Bunch

A Temporary Print Workstation. This is how I print small blocks at home. I use the top of my plans chest but you can use any surface – desk, table, kitchen work surface… Cover the area with old newspaper (or similar) stuck down with masking tape. Left to right: Registration sheet (I blogged about thisContinue reading “An International Bunch”

Easy Peasy Quick Ink

I often print small blocks at home as I can do them by hand and don’t need to use the fabulous Columbian press at Swansea Print Workshop. This is how I set up a little inking station without fuss or mess. Stick some newspaper onto your work surface with a bit of masking tape. StickContinue reading “Easy Peasy Quick Ink”

Registration

Yeah I know, really boring but so vital for printmakers. I’ve been printing up a simple one-colour linocut with chine collé as a small edition  so the registration is fairly simple.     After you’ve cut your printmaking paper to size for your edition, use one of the sheets as a guide to draw itContinue reading “Registration”

Chine Collé

I have just printed an edition of my little Mari Lwyd linocuts with chine collé to add flashes of colour. I use hand-made paper made from recycled silk saris, a lovely range of colours and lots of fibres.     From left to right: ripping up the paper for cine collé, putting it onto anContinue reading “Chine Collé”

Little Lino Leftovers

I had a busy afternoon printing up my little “Mari Lwyd” lino block for the annual “Leftovers” print exchange organised by Wingtip Press in Boise, Idaho, USA. Wingtip’s founder, Amy Nack, describes it’s beginnings, “After cleaning out the flat files and finding dozens of little scraps of printmaking papers jamming up the file drawers, theContinue reading “Little Lino Leftovers”