This is another bit of a large canvas I’m working on at the moment, a collaboration with fellow artist Unity aka Millimagic. Unity has worked on the canvas with spray paint and pen, developing a typographical structure and background texture. I’ve started to draw in some imagery with sanguine conté crayon. The finished piece will be launched at a new exhibition to celebrate International Women’s Day in Cinema & Co in Swansea on March the 12th.
I’m collaborating with fellow artist Unity aka Millimagic who works with graffiti style forms, influenced by hip hop culture. I have rarely collaborated on an artwork in the past and this, along with Unity’s cultural influences are new to me. Musically I’m a rock chick and I’d describe my style of art as fairly traditional, so we’re a bit like chalk and cheese. Here’s a little glimpse of something we’re working on for International Women’s Day. It will be launched at a new exhibition in Cinema & Co in Swansea on March the 12th. Watch this space ……
Husb and I went to the Glynn Vivian Art Gallery earlier today to catch Rhodri Davies doing his artist’s talk. I like to hear how other artists develop their work and of course, it’s an opportunity for me to have a scribble as well. Rhodri’s art practice is completely different from mine but I like to be challenged and pushed out of my comfort zone. Today he spoke about his work involving harps (telyn) and during the talk he played a short film that featured one of his musical compositions. I found myself completely absorbed and drawing automatically to the sounds, particularly on the beard. I used a biro (ballpoint) into my very small Laura Ashley sketchbook.
I’m having fun colouring in my sketchbook drawings. I’ve been scanning them into my Samsung Galaxy Note 8 and using an app called Markers to colour them in. It’s like being a kid again, I used to love colouring. This is Sparta Puss, she’s used to taking over whatever piece of furniture takes her fancy. This was my chair. It isn’t any more.
I had fun yesterday digitally colouring in a line drawing, so I did another today. It’s an old drawing of our little Ming The Merciless who died last month, aged nearly 18. She always liked to sleep on top of the biggest pile of cushions and I used to stack them on top of a large pouffé next to the radiator. Maybe she was just a little bit spoiled. Just a little bit. I downloaded the drawing into a free Markers app on my Samsung Galaxy Note 8 tablet to colour it in. There are more sophisticated drawing apps, but I’m too miserly to pay for them.
I draw into my sketchbook almost daily but rarely do anything with the drawings, I don’t know why, it just doesn’t occur to me. So this evening I uploaded yesterday’s sketch into the free Markers app on my Samsung Galaxy Note 8 tablet and did some colouring in. It’s not great art but it was nice and relaxing.
My cat, Sparta Puss, has taken my laptop tray away from me. It’s one of those trays with a beanbag underneath and I left it hanging around with the beanbag side up one day recently, and since then it’s been hers!Here it is scribbled into my little notebook by Peter Pauper Press.
I’m planning a new silkscreen print from an original life drawing I did a while back. I want to include chine collé so I thought I’d have a bit of a play on Adobe Photoshop to try out some geometric shapes in different areas of the drawing. It’s a useful tool for doing a quick bit of design. Basically it means that I can do it on my laptop while I’m sitting on the settee with the TV on.
So when I go to a gig, I go to listen and enjoy and maybe have a bit of a dance (although a lot of people don’t think that headbanging is dancing) and I assume that other people are there for the same reason, so it really narks me when you get some airhead who thinks it’s okay to stand near the stage and talk, loudly and incessantly, through the set. It happened the other week when I was in Cardiff for the launch of Rufus Mufasa’s album , “Fur Coats From The Lion’s Den” and this airhead stood right in front of me and gabbled her way through a load of performances. Which isn’t just annoying but also really disrespectful to the performers who had put so much effort into their acts. Why couldn’t she go to the back? Or go to the toilets? Or just go? I thought about whacking her with my sketchbook but then I’D be the bad guy. I wasn’t going to draw her because that would be giving her some credibility so here’s an empty page dedicated to the empty airhead in the spotted knitted coat.
Please do check out Rufus Mufasa’s music on the video, she’s brilliant.