Tag Archives: music

Mask And Mosque

3 May

queue 1

Some more queue drawings. It’s getting to be a good place for sketching now. Faces with masks are new and something I haven’t had a chance to draw before. The queues I’ve been in have mostly moved reasonably quickly so I have to be really fast drawing people. I can be a bit more leisurely with buildings though; this is the old church opposite the supermarket that is now a mosque. They have planted a lovely garden in the grounds, but unfortunately we can’t use it because of lockdown. Something to look forward to when lockdown’s over.

 

Nephew In A Hoodie

29 Jan

Nathan 2020

Nephew in a hoodie. Like it says on the tin. Drawn with a ballpoint pen into my A6 sketchbook. He’s so cute!

Here Comes Mayhem

23 Jan

Plygain 6

At the Plygain celebration over the weekend, after there had been plenty of Welsh carols sung and a break for tea and snacks, we had some surprise visitors. Some local Wassailers accompanied by the Coppertown Mari Lwyd (Mari Trecopr). We moved quickly from traditional Xmas hymns to Mari-led mayhem.

Plygain 5

The Mari Lwyd arrives with her companions and knocks on the door to be let in. It’s the job of the people inside to keep the mischieveous Mari out so there’s a battle of wits and rhyme – a sort of ancient rap battle – until the Mari and her gang are let in. This frisky Mari tried to knock back a glass of mulled wine!

This wonderful evening of Welsh tradition was led by David Pitt (who inhabits the Mari) and Margot Morgan, who organises the Aderyn Du (Black Bird) Brynmill Community Choir.

Scribbling Singing

21 Jan

Plygain 3

Here are a couple more sketches I did at the Plygain celebration last weekend in Swansea. Plygain is a Welsh language carolling tradition going back at least to the 13th century. It had almost died out but is now going through a healthy revival. In the past, families would have precious books of Plygain carols handed down through generations. Plygain is competitive – carollers take it in turns to sing and no carol can be performed more than once during the service, so these ancient family books of Plygain carols are precious.

Plygain 4

I sketched the carollers as they sang. The top drawing was done using the continuous line method – it’s easier to judge perspective and proportion I find. Then a few speed sketches just of heads.

Toffee Evening, Noson Gyflaith

20 Jan

Plygain 2

I carried on sketching at the Welsh Plygain celebration, while all the rest sang. Traditionally, Plygain took place in church at around 3am on Xmas morning and ended at first light. People generally stayed up all night, doing all sorts of things to keep awake. One that was popular with younger people was the making of Cyflaith (toffee) and Christmas Eve was often known as Noson Gyflaith – Toffee Evening. Games were played and stories told to stop people from dozing off.

Plygain is unaccompanied carol singing in the Welsh language and traditionally was only sung by men, but these days it’s undergoing a revival and everyone can join in. I sketched some of the men at last night’s Plygain. I used the continuous line method as I find it’s the best to get the right proportions and perspective in a roomful of people.

Drawing The Singing

19 Jan

Plygain 1

Husb and I went to a Plygain celebration this evening, a very traditional Welsh singing event. Plygain was at it’s height between the 17th and 19th centuries, although there is a mention of something similar in the Red Book of Hergest in the 13th century. But by the early 19th century opposition from the church sent it into decline and it only survived in a few places in Wales. Like many other traditions though, it’s making a comeback. I don’t like singing so I scribbled instead.

Blue Stones

1 Sep

develop 2

Brushwork And Gravel

This is another cyanotype from my field trip earlier this week with colleagues from the FIRE Lab. When I prepared this sheet of Bockingford (300gsm) with the cyanotype chemical coating, I tried being a bit freer with the brushwork, instead of applying an even coat in a rectangular shape. And I used gravel from the bank of the River Tawe to make the image, something I hadn’t tried before. I hadn’t realised how varied it is, so many different grades. The name of the river, ‘Tawe’, might share its origins with a group of Celtic river names meaning “to flow”, including Thames, Tame and Tamar.

 

 

Fern And Raindrops

31 Aug

develop 3

Sploshed

Here’s another of the cyanotypes done a couple of days ago on a FIRE Lab field trip. I clipped the fern directly onto a piece of Bockingford paper treated with cyanotype chemicals. It was overcast and about midday so I estimated a 20 minute exposure time.

It started to rain and drops sploshed onto the paper.

Exposure 1

The FIRE Lab

I am currently artist in residence with The Fire Lab at Swansea University and have been going on field trips with scientific colleagues along the course of The River Tawe. This cyanotype experiment is our latest field trip.

 

Blue Wash

30 Aug

develop 1

Today I developed yesterday’s cyanotypes in the garden shed. Husb has been making the shed, from scratch, for about 3 years now and it’s nearly finished. He’s plumbed in an old Belfast sink which is big and deep enough to easily develop the pictures. I soaked them for 5 minutes under running water, then 20 minutes in a tray of still water with a spot of vinegar in it – apparently it increases the contrast.

 

More tomorrow……

Blue On A Grey Day

29 Aug

exposure 4

Out in the field

A scientist, an artist and a designer walk into a Country Park …… no it’s not a joke, it’s the second cyanotype field trip this week with colleagues from Swansea University’s FIRE Lab, up to the River Tawe as it runs through Craig-y-Nos. What can I say? It’s a glorious place and I feel so privileged to go out and be an artist in places like this. There’s a castle here as well, built for Dame Adelina Patti, the magnificent opera singer.

 

 

Grey Day

Unlike Monday’s field trip in blazing sunshine, today was rainy, cloudy and grey. We waited for it to dry up a bit and exposed the cyanotypes on the bank of the Tawe en plein air. On Monday I allowed 10 minutes exposure, which worked really well (see here) but today I had to guesstimate and allowed 20 minutes. I’ll develop them tomorrow and we’ll see if I guessed right. We created images of things we found around us, being careful not to damage anything and to put things back.

 

 

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