Last night I was at the launch of People and Printmaking, a special collaborative artists’ book celebrating 15 years of Swansea Print Workshop. I’m really pleased that my work is featured in this beautiful anniversary publication. Printed in full colour, in Welsh and English, it contains 60 pages with full page illustrations. As well as examplesContinue reading “People and Printmaking”
Tag Archives: printmaking
Pulling The Columbian
I had a very busy Sunday pulling some woodcut prints down at Swansea Print Workshop. I used the beautiful old Columbian press, an antique dating from the 1850s, when Queen Victoria was on the British throne. How many prints have been pulled off this press? How many hands have pulled the lever? It’s not onlyContinue reading “Pulling The Columbian”
Monstrous Mural And The Lizard Den
Today I joined some fellow artists to take over the keys for a new artspace in Swansea’s High Street, an area of urban regeneration. It’s a second, temporary, setting for Swansea Print Workshop and we have it for three months, to do experimental work, to exhibit, to interact with the community and to collaborate. It’sContinue reading “Monstrous Mural And The Lizard Den”
Paper Geekery
I spent a happy hour fondling beautiful papers and sniffing oil pigments and pulling on my favourite antique printing press. I was doing some trials on four lovely Japanese papers. This is an Atsukushi White, just 39 gsm. Above is the back of the paper on the woodcut block just after I’d put it throughContinue reading “Paper Geekery”
50 Shades Of Brown
Yesterday, Husb and I went to the launch of the latest exhibition, Of Site And Song, at the lovely Workers Gallery in Ynyshir. This gorgeous venue recently celebrated its first birthday. It used to be the village library but it was closed down because of austerity cutbacks and artists Gayle Rogers and Chris Williams reopenedContinue reading “50 Shades Of Brown”
Inspired By The Punjab: 2
Here’s the second of the monotypes I made during my recent open studio at Swansea Print Workshop, based on sketches I did during my residency in Pakistan last year. The colours of the landscape and sky are marvellous, so bright, atmospheric and changeable. I normally work with the human form, but this wonderful landscape inspiredContinue reading “Inspired By The Punjab: 2”
Inspired By The Punjab
I carried on with stages 2 (red) and 3 (blue) of my new monotypes while I was doing the final day of my pop-up studio event at Swansea Print Workshop. Yesterday I posted stage 1 (yellow) for both the first pressing and the second – ghost – pressing. You can see the full set inContinue reading “Inspired By The Punjab”
Stage One And A Ghost
It’s been a busy couple of days with the pop up studio at Swansea Print Workshop, a lot of visitors coming in the see our work and talk to Hannah and myself about our residency at the Zaira Zaka print studio in Pakistan last year. It’s been lovely to meet so many people interested inContinue reading “Stage One And A Ghost”
To Paint Or Not To Paint?
That’s the question, isn’t it? Some printmakers think it’s acceptable to hand-colour etchings and some don’t. I do. This is a little drypoint I did a few weeks ago at The Bagpuss Window based on a drawing I scribbled when I was in Pakistan last year. I’ve added colour with Winsor & Newton half panContinue reading “To Paint Or Not To Paint?”
You Learn Something New…..
These holes at the Taxila UNESCO World Heritage site in Pakistan had been puzzling me for some time. I found out this evening what they are ….. probably. Hannah Lawson and I opened our pop-up studio at Swansea Print Workshop this evening with a Welsh / Pakistani tea and we did an illustrated talk aboutContinue reading “You Learn Something New…..”