Six months ago I had the privilege of working with my model, David who I’ve been working with for 10 years, the artist Marc Rees and filmmaker George Morris. On the first day I drew David in The Brangwyn Hall, which is an amazing place, built in the 1930s for the magnificent Brangwyn panels. OnContinue reading “Start At The Beginning”
Category Archives: Printmaking
The Lord, The Warrior And The Welsh Cake
It’s been an exciting day. I shook hands with a lord, hung out with a Celtic warrior, sipped tea and ate a Welsh cake in an art deco temple in Swansea, and watched a film about my model and me. Here it is…. I’ve been involved in this expansive art project, Nawr Yr Arwr /Continue reading “The Lord, The Warrior And The Welsh Cake”
Across The Planet
It’s lovely to see where artwork can get to when it leaves me and it’s released out in the wild. I did this mixed media piece, “Annwyl Käthe” – stamping, chine collé, stitching and hand written text – in an edition of 15 for the annual Leftovers print exchange organised by Wingtip Press inContinue reading “Across The Planet”
Randomness Ensued
I did an afternoon of experiments at The Workers Gallery last week, trying out different combinations of inks and papers on a Gelli Arts gelatine printing plate. I want to print papers for collage. I did some basic experiments a few weeks ago and I wanted to do something a bit more advanced to seeContinue reading “Randomness Ensued”
Workers’ Mates
I’m a gallery artist at the excellent Workers Gallery in Ynyshir where up to 20 invited artists are selected annually to have a square metre of permanent exhibition space and to work with the gallery to develop the exhibition programme and run regular residency and demo days. The Workers’ focuses on art made in Wales butContinue reading “Workers’ Mates”
Translucent Overlays
I’ve been experimenting with Gelli Art gelatine plates for printmaking again. This time I used Caligo Safewash oil-based printing inks mixed with extender to make them translucent and overlaid the monotype three times, once in Process Yellow, then Process magenta and finally Process Cyan. I’ll explain the process in tomorrow’s blog. This is one ofContinue reading “Translucent Overlays”
Chuffed To Bits
I just heard today that I have had 2 artworks accepted into the Swansea Open exhibition, running from December the 3rd to January the 6th. It’s returned after a gap of about 5 years, while the Glynn Vivian Art Gallery was closed and being refurbished, and it’s great to see it back. I’m chuffedContinue reading “Chuffed To Bits”
Hanging With Camille Claudel
I’m exhibiting at “The Uncredited Woman” at Llanover Hall in Cardiff CF5 1FH until December 8th. Here I am at the opening of the Women’s Arts Association annual show, with the work I submitted, a screenprint of the French sculptor Camille Claudel. I used the liquid stencil method to prepare the screen, working from one ofContinue reading “Hanging With Camille Claudel”
The Last Experiment (for now)
I’ve been experimenting doing monotypes on a gel plate from Gelli Arts, trying out different inks and paints over the last week or so. I’ve finished for the time being, ending up with Caligo Safe Wash oil-based printing inks. I used Process Yellow, Magenta and Cyan mixed approximately 50:50 with the brand’s Extender for translucencyContinue reading “The Last Experiment (for now)”
Jelly And Liquitex
So, still experimenting with the Gelli Arts plate, this time trying out Liquitex Heavy Body acrylic paint. It gives excellent coverage and takes textures really well. Almost all the ink comes off onto the paper – Daler Rowney cartridge 90gsm – with gentle rubbing, leaving very little for a ‘ghost’ print. The only problem IContinue reading “Jelly And Liquitex”
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